Saturday, October 14, 2017

The Jesus & Mary Chain / Cold Cave - Live 2017.10.12

The Jesus & Mary Chain were one of the first "older" bands that I was introduced to in high school, and yet after hunting down several of their albums, I lost interest. Psychocandy may be novel, but Darklands is the only album I still listen to regularly. They always had a rather crass and debauched side to them, and over time that increasingly bothered me. When they reformed and played at Levitation in 2015, I had a passing interest, but they were doing one of those full-album shows for Psychocandy and I just wasn't sold on it. But with a new album in tow, I figured it was finally worth giving them a chance.

Artist: The Jesus & Mary Chain
Venue: Astra Kulturhaus
Location: Berlin, Germany
Date: 12 October 2017
Opening Act: Cold Cave

Setlist (with some help from here):
01. Amputation
02. Happy When It Rains
03. Head On
04. Always Sad (with Bernadette Denning)
05. Black and Blues
06. Mood Rider
07. April Skies
08. Between Planets
09. Snakedriver
10. Teenage Lust
11. Cherry Came Too
12. All Things Pass
13. Some Candy Talking
14. Halfway to Crazy
15. Darklands
16. Reverence

First Encore:
17. Just Like Honey (with Bernadette Denning)
18. Cracking Up
19. In a Hole
20. War on Peace

Second Encore:
21. Sidewalking
22. I Hate Rock 'n' Roll

When Cold Cave hit the stage, the venue was still quite sparsely populated, so I got up close despite the loud volume. They matched their retro synthpop/darkwave sound with a stark look emphasized by heavy shadows and white light. It was hard to tell what was pre-programmed, what was synthesized on the spot, and what was the result of heavily treated guitar and drums. I liked their use of effects, but it did make me wonder what exactly I was hearing. Their uptempo, danceable songs sometimes sounded a bit too much like New Order, except that it continually seemed like there was a melody or something in the high end that was missing. It's possible that the problem was just that the mix was poor, especially since it seemed like the keyboardist's backing vocals were mostly inaudible.

[Cold Cave.]

The new album from The Jesus & Mary Chain, Damage and Joy, isn't particularly notable except that it sounds a lot like their classic work, despite being released about 19 years after their previous album. I admittedly had only marginal interest in seeing the new songs live, but they largely fit in right alongside the older ones. The most bizarre part was that Jim Reid sounded identical to his younger self from 30 years before. Also strange was that Jim sang all of the songs, even the ones that William Reid had sung on record. Meanwhile, William stuck to the shadows with his guitar, and Jim didn't even touch an instrument. Drummer Brian Young, bassist Phil King, and rhythm guitarist Mark Crozer rounded out the band, although none of them retreated from the shadows.

I was concerned about the quality of the performance after I caught a few stumbles by William and Young in the first few songs. However, they quickly hit a stride and pumped out some solid tunes. Not every one of their songs was a winner, but they mostly kept to the better half of their catalog. Only a couple of their choices reminded me of their less appealing side (e.g. "Teenage Lust"). Furthermore, it seemed that the band share my feelings about their career peak: they played four numbers from Darklands, more than any other album except their latest.

Their lyrics have never been particularly strong, but sometimes (as with "Darklands" or "April Skies") they get a combination of mood, melody, and music together to make something affecting. Their best songs might just be a combination of 60s bubblegum pop and heavy distortion, but sometimes that just works. There were also a few successful exceptions, like the dense, swampy, extended "Reverence".

Thankfully, the band didn't live up to their reputation of being antagonistic and short-tempered. There were no drunken brawls and it was not just a brief affair of pure sonic assault. They played a long set (with two encores, even!) and thanked the crowd. That said, it was incredibly loud. My ears were ringing despite using my strongest ear plugs. Even if they aren't as wild and exciting as they may have once been, I think consistency and reliability have their merits, too. The show ended up being a bit better than I was hoping, and far better than I feared it could be.

[The Jesus & Mary Chain with Bernadette Denning.]

Cold Cave: B-
The Jesus & Mary Chain: B+

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