In recent years, three of the biggest and best shoegaze bands (My Bloody Valentine, Slowdive, and Ride) reformed, went on tour, and eventually released a new album. In each case, I saw a live appearance before they'd released any new music, then purchased their new album, and then have seen them live again. In each case, the new album was no disappointment. With My Bloody Valentine and Slowdive, the second show was markedly better than the first, almost like the new album infused them with newfound energy or confidence. I even gave the Slowdive show I saw a month ago an A+. However, I'd already given Ride an A+ the first time I saw them (at Fun Fun Fun Fest in 2015), so my expectations for this show were rather high.
Venue: Festsaal Kreuzberg
Location: Berlin, Germany
Date: 5 November 2017
Opening Act: Dead Horse One
01. Lannoy Point
01. Lannoy Point
02. Charm Assault
04. Weather Diaries
06. Dreams Burn Down
11. Lateral Alice
12. From Time to Time
13. Leave Them All Behind
14. All I Want
16. Vapour Trail
17. Drive Blind
18. Rocket Silver Symphony
19. Grasshopper [with Anton Newcombe]
20. Chelsea Girl
Dead Horse One are a five-piece from France. They played a strong and entrancing set that seemed like a perfect match for Ride. Other than the obvious shoegazer link, they drew from the psych sound of bands like The Black Angels. They would fit in quite well with at Levitation! They let the keyboard take a lot of the melodic role while the two guitarists created a dense, warm ball of sound. There were a few bits of reverb-laden gothic rock guitar as well as moments of heavier, darker energy. I was actually disappointed that they only played for a terse 30 minutes.
[Dead Horse One with a guest tambourinist.]
Ride came out to the sound of the keyboard that opens their new album, Weather Diaries. They ended up playing most of the new album, but interspersed it with several of the best tracks from their early classic albums and EPs. Some of their new songs ("Charm Assault", "Cali") have a distinct pop angle, but the band has still retained their core astral guitar sound. Early in the set, the band proved that they haven't shunned their roots by jamming out an extended and captivating take on "Seagull". Other particularly strong classic songs were "Dreams Burn Down", "Leave Them All Behind", and "OX4".
The incorporation of electronic elements is often a challenge on stage, but the band handled it comfortably by treating their occasional backing tracks as a mere backdrop to add just a bit of texture behind the main attractions. "All I Want", a song that is on the line of sounding like an annoying electronic pop remix, came through surprisingly well. Although some of the other new songs felt a bit weak and less energetic than the classics, there were no duds, and I appreciate their willingness to write and perform new material. We were even treated to one of the first performances of their new non-album single "Pulsar", released just a couple weeks before the show.
By the time they got to "OX4" and "Vapour Trail", the closing tracks of their best two albums, I was expecting the show to end at any moment, but they didn't slow down. "Drive Blind" sounded even better than the original studio version, and they did their standard trick of extending with a long noise jam in the middle.
And then came the encore. First they played "Rocket Silver Symphony", which featured drummer Laurence Colbert's vocals in the verses, and then they introduced a guest: Anton Newcombe of The Brian Jonestown Massacre, who happens to live in Berlin! They elected to play "Grasshopper", a b-side from 1992 that they claimed never to have played live before (although setlist.fm disagrees). Newcombe's guitar wasn't very high in the mix, so it wasn't entirely obvious what he contributed, but it was still cool.
The quality of the mix was the one issue that distracted from a great set. It is possible that my position near the back of the venue was at fault, but throughout the entire show, the vocals were muddy and indistinct. The bass lacked punch and the whole package lacked clarity. It took away from some of the power and intricacy of their performance.
The new material might not be their best, but in some sense Weather Diaries seems like an alternate version of where they could have gone in the mid-90s. After the raw, early-era My Bloody Valentine ripoff of the Ride and Play EPs (both 1990), the sublime shoegaze of Nowhere (1990) and the Fall (1990) and Today Forever EPs (1991), and the slightly more mainstream, power pop-inflected Going Blank Again (1992), what if they had tried out an electronic edge instead of espousing generic 90s rock cliché and regurgitating bland 60s references? It seems like everyone, including the band, would rather forget their latter-day albums Carnival of Light (1994) and Tarantula (1996). (They only played one song, "From Time to Time", from the former and nothing from the latter.)
Despite a few flaws, Ride played a strong show, and I appreciated that the kept going for two hours. It wasn't quite as perfect as the last time I saw them, but I like their new album (and single), and I'm glad they were willing and able to grow and still keep their best elements.
[Ride with Anton Newcombe.]
Dead Horse One: A-
Smile (compilation of Ride and Play EPs): B
Nowhere (with or without the Fall EP appended): A+
Today Forever EP: A+
Going Blank Again: A-
Carnival of Light: D
Weather Diaries: B+