Installation: "Empty Formalism", ISM Hexadome
Artist: Brian Eno
Location: Berlin, Germany
Date: 2 April 2018
The Institute for Sound and Music is a new organization in Berlin devoted to honoring the creation of electronic music and sound. Their first large project is the Hexadome, an installation featuring six projectors and a network of speakers for which a series of artists have created unique works. Brian Eno's "Empty Formalism" is the first installation for the Hexadome. It opened on March 29th and runs until April 5th.
Eno's installation consisted two gradually changing visual patterns, each repeated on three projectors, and characteristic minimalist ambient music. The projections were mostly colorful concentric circles with subtle texture, occasionally interspersed with thick, straight bars. Close study revealed a minor lack of symmetry between the right and left sides, but this may have been unintentional. There was a hint of a line at about two-thirds the way up the projectors that was also presumably unintended. Otherwise there was little to discern. The music consisted of long, low drones, high-range tinkles, and occasional rumbles and washes. There was no beat or melody.
Eno described the work as meaningless by design, asking the audience to appreciate the visuals just for what they are, as is usually the case with music, as opposed to trying to "understand" the work, as is typically expected with visual art. While the notion is valid, the practical implication leaves something to be desired. I sat for an hour in a room with fifty other people, all staring blankly or appearing to meditate. There was nothing distasteful or offensive, but little to pull me in or hold my attention. It would've been pleasant or peaceful or even escapist if I could've erased my awareness of everyone around me. As it was, it was merely a mostly quiet, oddly lit, slightly awkward space that made for merely passable contemplation.